[TPIN] Artistic Control (Was Maynard and poor choices)
RickTrumpetMan at aol.com
RickTrumpetMan at aol.com
Thu Aug 31 12:38:28 CDT 2006
Thanks Jim.
I'm a little shocked at the surprisingly high naivete co-efficient of those
who REALLY thought that Maynard wanted to do that schlock. I think he
thought that the Rocky tune was probably "OK". ( I always remember about what he
told interviewers, including me in that old TPIN interview-not sure if I got a
shared byline on it or not, I didn't belong at the time- from the late
'90's, about the Charlie Barnet warning regarding never releasing a song you hated
as a single or the fates would curse you by making it your biggest
hit.....)
To me, it's really easy to find the tunes that don't have a lot of "band"
involvement on those later Columbias.
If they sound "read down one time and punch record", VERY commercial,
feature a lot of non band involvement (BV singers, movie stars, guest artist
friends of the producer/label, etc.,etc.) and (most significantly) don't show up on
the live concerts then they were always about assuaging some external force,
whatever that might've been.
I always thought it was obvious. More to the point, I find it interesting
that Teo Macero's exit coincided with when he first began to cease making
every tune on an album a musical "slam dunk". The last one on the Columbia
discography that did that in my opinion was Chameleon. There were a couple of
overtly "commercial" titles on there as well (Livin' for the City?) but the
litmus test for "vitamins and minerals" was still pretty high, especially
compared to almost anything that came later up until the Palo Alto/smaller label
era.......
Rick Price
Legacy Brass
Charlotte, NC
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