[TPIN] Last Chords
Orion Development Corp - D. Arndt
darndt at oriongate.net
Fri Aug 3 09:57:50 CDT 2007
I received the same admonishment from a trumpet player named Rocco Benni,
when I first started splitting the lead book at the Valley Forge Music Fair,
in Devon PA, years ago (I was all of 19 or 20 years old at the time).
I opened up on a nice fat high G at the end of some chart, which happened to
be the 5th in the chord, and I thought it sounded great, of course. Rocco
turned to me and said, "nice note, but if the arranger wanted a 5th on top
he would have written it - better to play the tonic that was written on the
page".
I always took that to heart - especially since Rocco was notable for his
upper register, but used it as needed, not "at will".
- Arndt
On Fri, 03 Aug 2007 10:13:36 -0400, Rich Szabo wrote
> >In a message dated 8/2/2007 10:07:43 P.M. Pacific Daylight Time,
> >baissie at yahoo.com writes:
> >
> >OK guys. I have to ask. WHY?
> >
> >I'm assuming the lead player is not just playing some obnoxious sharp 11
> >because it's the highest note they can squeal. But if the lead
> >player takes the
> >4th part up an octave and the 2nd plays the lead note, and the 3rd...
etc,
> >AND of course it sounds good... why not? The arrangement was written
for a
> >band or for a level of player. If you're not that band and you're not
that
> >level... IOW, if the arranger had known you could play a high F#
> >then maybe they
> >would have written it. So why not play it if it sound good?
> >
> >...Steve
> ><<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<
> >Simple - because the arranger KNEW what he or she wanted on that last
chord.
> > It is not up to you to second guess that arranger. That
> > being said, if the
> >LEADER wants the chord changed to something higher and re-voices it,
that is
> >a different story. It is HIS band and he bought the chart.
> >Mike Vax
>
> ================================================================
>
> I have to agree with Vax on this. Here is an actual it happened to me
> story which changed my perspective on this....
>
> Buddy Childers and I were splitting the lead book on the Billy May
> band. On one particular chart I was playing lead on I took the last
> note up and screamed my butt off. Buddy turned to me and went bat
> s**t!!!!! He screamed at me and said "never to do that again! If the
> arranger wanted that note he would have written it. Play the ink!!! "
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