[TPIN] ANALYZATION/MASTERY/GREAT ART - and Leon - out of Lurk mode
Vaxtrpts at aol.com
Vaxtrpts at aol.com
Thu Aug 16 11:16:54 CDT 2007
In a message dated 8/16/2007 8:29:13 A.M. Pacific Daylight Time,
manderson at okcu.edu writes:
I can't agree.. Some of these things are all skills and there is a big
difference. We often misuse the word "art." I'm a fly fisherman and people
talk about the "art of flyfishing." Its no more art than a worm under a
bobber. It does require considerably more skill though and it can sometimes
appear to be visually artistic, but it is all skill and knowledge.
Composing, improvising and interpreting music is art. Playing the trumpet is
not. Craft is skill. Creating something original is art. I even think that
the large majority of music interpretation is a skill not an art. Its a fine
line and I'm not always sure where it crosses from skill to art. For some it
never, ever crosses. They play a passage like they have heard it done or
have been taught to play it by rote. Even in jazz... Until the improviser is
improvising music that isn't parroting some other player they are learning a
skill and engaging in a craft.
Good teaching is an art. In fact, I feel that I am engaged more as an artist
when I am teaching than when I am playing and I play over 200 gigs a year.
I'm rarely creative in my orchestra gig. I'm rarely creative on any gig
other than solo recitals and even then the interpretation is a combination
of skill and art.
Mastery is about developing skill. "telling your story" and "expressing
yourself" through what you are playing is where the art comes in and it
doesn't happen that often.
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Forgive me for quoting most of Michael's message, but FINALLY - at least for
me - the definitive answer to all these dozens of posts on this subject.
Yes, analysis has to be a PART of the process of learning, but way too many
trumpet players stop there. They never get past HOW to play the trumpet and
don't find the upper reaches of learning, which should include how to play
MUSIC! And yes - agreeing with Michael Anderson, I feel that I am at my creative
"best" when improvising a solo, even though the most "fun" is playing lead
trumpet.
Here is where I will make my nod to Leon. I too will miss him very much,
but I consider my life better for having known him. We had many wonderful
talks about the "old days" on the road, and he would always remind me that he was
already traveling on busses while I was still in diapers. What a wonderful
life he had!
One of my favorite exchanges of the many that we had over the years, was off
list about TPIN.
It was during one of the "over analyzation" on going threads that do happen
sometimes. He said: "Why do some of these people keep playing the trumpet?
With all the emphasis on how to play and what not to do, and no talk about
making music, how can they be having any fun at all?" That was Leon!
So - I do hope that no one will think that I am "lording it over" the rest
of you because I am so "famous...."
(Speaking of which, I don't consider myself "famous." Chuck Mangione,
Maynard Ferguson, Wynton Marsallis and Chris Botti are "famous." I'm just another
trumpet player out there trying to make a living, but hoping that I am
helping turn on young people to music with my clinics and concerts.)
As I have said before, I do enjoy this list and as someone said during the
Bozo episode, I TOO have learned things from the rest of you.
Mike Vax
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