[TPIN] The Pinky Ring
Brendan Crise
bcrise at misupply.com
Wed Jan 3 11:32:58 CST 2007
I guess I was referring to my current student who is very stubborn, and
by removing his finger from the ring, correct severe pressure issues and
even corrected posture and how he holds the horn (more vertical without
the ring, don't know how that worked...). I agree that everyone is
different, and saying "you must play with your pinky on the ring not in
the ring" is the same as saying "you must play a 3C mouthpiece" which
to me equates to "you must wear size 9 shoes".
Brendan Crise
Trade Show Coordinator
Outlet Product Manager
Woodwind and Brasswind/Music123
4004 Technology Drive
South Bend IN 46628
800-348-5003 ext. 2360
-----Original Message-----
From: tpin-bounces at tpin.okcu.edu [mailto:tpin-bounces at tpin.okcu.edu] On
Behalf Of Vaxtrpts at aol.com
Sent: Wednesday, January 03, 2007 12:06 PM
To: tpin at tpin.okcu.edu
Subject: Re: [TPIN] The Pinky Ring
In a message dated 1/3/2007 6:53:27 A.M. Pacific Standard Time,
bcrise at misupply.com writes:
As for the use of the pinky ring, I agree that it can be used
correctly.
However, when dealing with young beginning players, I think tension is
an issue here. The young player's hands are much smaller than a grown
up's, and stretching to reach the ring causes tension and then
automatically causes more pressure due to this stretching. I always
work with my beginning students to not use the ring until proper hand
position and correct technique are developed.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Well, here we have yet another instance of "different strokes for
different
folks." Every student I have ever had has used the pinky ring. Most
of them
have turned out to be pretty good players...............
Mike Vax
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