[TPIN] Jazz Pedagogy, teaching and some help
David Adams
adamczykd at sbcglobal.net
Fri Jan 12 01:01:10 CST 2007
Having directed and adjudicated a lot of high school and middle
school jazz groups, I would say that the biggest issue is getting the
rhythm section to understand its true function in the band. While
there are a number of good pedagogy books out there that do a good
job of explaining "what" to play, there is really no substitute for
doing a lot of listening. The Basie recordings, for example, are
essential to understand "time," and how the music feels. Mike is
right about teacher preparation, but I think the situation is getting
better in most music ed. programs. Having outside clinicians come in
is great, but be sure they can articulate and explain what they are
doing (not all can!). Another big help is for the director
(especially if he/she is unfamiliar to jazz) to plunge himself into
some of the great community college rehearsal bands and other playing
opportunities that abound in most metropolitan areas. I have always
been amazed at the number of music directors who haven't played their
own instruments for years. And lastly, while playing the style is
vital, it is also imperative that kids learn to improvise. There are
lots of resources, workshops and clinics for that. (hopefully my
comments are not too generic for a trumpet site) Dave Adams
On Jan 11, 2007, at 3:03 PM, Vaxtrpts at aol.com wrote:
>
> In a message dated 1/11/2007 7:29:26 A.M. Pacific Standard Time,
> baissie at yahoo.com writes:
>
> This is a *really* important issue to all future jazz musicians,
> especially
> the high school and community big band variety. Remember, today's
> music
> education students are tomorrow's jazz "experts", even if they've
> never played a
> jazz lick in their lives. It most definitely would help for them
> to have some
> reference before they start telling kids (and adults) how it's
> suppose to be
> done. Long time teachers tend not to accept contridiction well.
> They've been
> teaching it that way for years. It must be right. You all know at
> least one
> of them.
>
> ...Steve
>
>
>
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
> I agree, Steve. I'm also glad that Bryan asked the original
> question.
> Many of our colleges and universities are very lacking in any real
> preparation fo
> r a high school band teacher to understand jazz education. Not
> only are
> the "older" teachers, who might be set in their ways a problem,
> but the newer
> ones who are really concert band people thrown into the jazz
> realm, have no
> idea what to do.
> I think that getting their hands on some books about jazz pedagogy and
> teaching are a good idea to start.
> For these people, the best thing is to find some funds (I know that
> is a
> challenge in many places) to bring in people who know jazz music to
> help with
> the jazz band. There are many musicians who would love to come
> into the
> schools for not a lot of money to work with the kids. Also, a
> GREAT resource that
> is never tapped are the many jazz societies around the country,
> who would
> love to support the local high school jazz program and might even
> help fund some
> clinicians coming into the schools.
> Mike Vax
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David B. Adams
Palo Alto Unified School District
Director, Foothill Symphonic Winds
www.windband.org/foothill
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