[TPIN] Articulation for project
Keith Reynolds
trumpet1 at nycap.rr.com
Sun Nov 4 16:21:46 CST 2007
Most of the time I use what I conceive of as "du" (with a French accent)
for articulation. I like to play pretty and I find this articulation
the closest to singing the line. If the music requires a "harder"
accent I switch to "tu" and even "ta" - and I readily admit there is
probably little difference out in the room between my du and my tu.
When tonguing very low notes I change to "da" or "ta" as that flattens
the tongue and makes the oral cavity larger. I may lean toward "tee" in
the upper register, but I'm not sure and I don't want another thing to
think about while I'm up there.
I use the tip of my tongue and move as little tongue as possible. My
tongue touches in the traditional juncture between upper teeth and gums.
When I double tongue I prefer to anchor tongue, typically using "du-gu",
but I never anchor tongue when I single tongue (probably because I
didn't learn about anchor tonguing until I had been playing 40+ years).
I find anchor tonguing to be very smooth and closer to how I would
like to "sing" through the horn.
I do make my oral cavity larger when I want to darken the sound without
changing mouthpieces, but I don't think of that as articulation.
One of the most important thing I've learned here is that there is more
than one way to skin a cat. I am careful to offer my students as many
options as I can and then I ask them to experiment and use what works.
Keith Reynolds
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