[TPIN] Cornet Question- Historical
John Kool
johnkool at windstream.net
Sat Feb 2 18:02:18 CST 2008
Easier to play in sharp keys.
I suppose.
On Feb 2, 2008, at 2:08 PM, MikeSpengl at aol.com wrote:
> My friend and big band colleague (a bone player) who is BIG on
> historical
> instruments/recordings proudly showed off pix of an antique cornet
> he recently
> acquired. Then turned to me and asked: "Why did they consider having
> a cornet
> also pitched in A important back then?" I realized I just plain didn't
> know...
>
> Looked through Ed Tarr's book, so I know his take on the "cornet
> vs.
> trumpet" issue. And Berlioz features some A cornet parts. I got my
> old Conn Bb/A
> as a way of 'shedding L'Histoire on the original instrument in its
> original
> called-for pitch, but L'Histoire wasn't the cause of makers to
> ensure that it
> could play in A.
>
> So... his/my question remains: Why did folks back then consider
> having
> the dual pitch of Bb/A to be important?
>
> Thanks for any & all replies.... Mike Spengler
>
>
>
> **************Biggest Grammy Award surprises of all time on AOL Music.
> (http://music.aol.com/grammys/pictures/never-won-a-grammy?NCID=aolcmp003000000025
> 48)
> _______________________________________________
> TPIN mailing list
> TPIN at tpin.okcu.edu
> http://tpin.okcu.edu/mailman/listinfo/tpin
More information about the TPIN
mailing list